Quarl AIM 2022 Review
Composition/Structure (0-10), Production (0-10), Emotion (0-10), Relevance to Artwork (0-10)
xZiriusX, Shining Lights: 10,8,10,10 (38/40)
Woah, hello big mix down. The wave shape actually echoed the illustration as far as I'm concerned. The image was claustrophobic, and that 1980's hard rock sound mixed big was a perfect fit. This is top tier. Not wasting anytime, first critique: despite the throw back to romantic 80's synthpop, I feel like these retro genres can benefit massively from better fidelity techniques. Either there's very little pan data in this mix or I'm a little deaf in one ear (I am) but some more aggressive stereo/panning data would help this old sound pop into the year 2022. I love hearing throw-backs to old genres but I don't like hearing throw-backs to flat old mix-downs. The electronic music scene in recent decades has really pushed sound quality to new heights and going back in time can be a double edged sword.
When mixing you want lower frequency bass tones towards the middle but thin auxiliary percussion can be thrown around a little more aggressively and used to counter balance other elements. Kick drums and snares belong to the middle but toss hi-hats to one side, counter with tambourines, bells, shakers, and what have you on opposite sides of the stereo field. That percussion section at 2:42 would have been a great time to have auxiliary percussion battling across the stereo field. I love playing with an aggressive ride cymbal the way you did during that section.
Panning creates the illusion that sounds are louder than they actually are so after you pan a sound you can turn it's levels down a little and you've now made room on the opposite channel to find something to balance it with. Automation lanes are totally fair game to find new locations for things in the mix if things get boring. Panning is a tool to emulate space. A drum fill can start on one side then bias to the other as if you're right on top of the drums and you're following the drummer's motion across the kit. You don't have to be accurate to a live drummer, you can get super experimental with how you pan drums but I find it's one of the instruments in a mix that can really make the stereo field more interesting. Panning is something so many people over look but good panning is the mark of a professional. You might have played with panning in this but I really can't tell and that's not a good thing. I got very bored with that constant bombardment of texture that never really evolved. You could say that constant bombardment emulates the drawing but a poor mix only distracts from the musicality without offering anything positive.
The melodies were awesome, solid chord progressions. Everything was great aside from that static pan data and an underwhelming bass tone. Though you pushed the field to it's max the song came across a little flat. With those mid to thin sounds panned more expertly the bass has more room in the middle to just rock solid and groove. These are the reasons I took points off in production but I had a hard time justifying taking anything else off. I got on people's case for saying next to nothing about their music but you said just enough to add a human element that I often took points off for. I was asked to judge for "emotion" and people having the bravery to talk about their creative process or what inspired them makes it easier for me to sense "authenticity." It's so easy to just nab a random image for this contest and write some uninspired track, I often have no clue if someone was truly inspired or if they faked it. I have to sit here and draw conclusions from opinion but taking the time to write some lyrics, or a poem, or just saying anything at all is a deceptively powerful tool for a music contest. Newgrounds is by and large made up of a community of peers. Learning how to communicate with that audience is essential. So many users assumed the music spoke for itself and often it didn't. One user in particular wrote nothing at all. I'm over here writing reviews for everyone in the contest because I felt like challenging myself and you all deserve some solid feedback. Often I pointed out though, to all the people that wrote one or two sentences: how is it that I can say so much about your music but you cannot? I have a feeling there will be more contestants next year taking advantage of stronger writing but many of the older regulars understand who their audience is.
You've been around since 2016 (I looked) and I think I've seen you around before. You shared just enough information and wrote a good enough track to get perfect "emotion" points from me but with a slightly more nuanced mix-down you could have stood out and remained more memorable. The only time I noticed any panning were those crashes at the 5 minute mark (yay, I noticed some pan data) but everything was so balanced towards the center that there was no surprise. Every sound colorlessly hit me with the same energy and although colorlessness reflects the image well, "relevance" was only one category. You could have pushed this mix down to god-tier with just a little more experience juicing out masterful fidelity. Retro sounds honestly benefit from contemporary mix quality. If you can pull it off you'll become so powerful. I'm grateful you included all your equipment tags. Have a wonderful day Zirius. Ever upwards!