Quarl's audio Reviews on Newgrounds

[Footnotes On A Postcard From Nowhere]

Reminds me of an old Fall Of Troy sound and mix down, takes me back in time for certain. I think I'm noticing a few small things with the mix. Over compression: you got a relatively small brick. Also the bass tones go from almost overpowering to almost underwhelming at 1:47. Massive bass nerf @ 1:46, getting the compression tools mastered and maxing out the field would totes give you the extra space for everything in this very powerful jam. Finding the deepest corners of your sound spectrum can be a harrowing journey, I wish you the best!

Then there seems to be a ton of guitar buzz, most noticeable at 00:44. I ran into a similar issue with my mixing board, had an active channel doing nothing but putting the fuzzies on my headphones. Gotta find that buzz and CUT IT'S BALLS OFF- I mean mitigate the buzzing. Sorry, that escalated very quickly. I was just trying to be funny and helpful but managed to get really weird really fast. If you do want your guitar to keep it's balls then that's on you but they really don't help at all and can lead to stray guitars running wild in the neighborhood. No bueno D:

Banana-head responds:

Thanks for the review! These latest math rock songs ive been posting are due to the fact that my bandmate recently gave me a small mixing class teaching me the very basics (trust me, i didn't know anything before this). About the buzzing, yes that's a problem i can't seem to find a way to fix. It's mainly in the bass track and it seems to be coming from the bass pickups itself? Idk for sure. The buzz seemed to be coming from all over the spectrum last time it checked it, but ill definitely be working on fixing that.

[Sunset on another planet]

Glad you love the sounds, gotta write for yourself before you can write for anyone else! Crisp sounds, lovely contemplative melodies, cool stuff sandman. I'm not sure I was as into the mid section synth but there were some cool melodies! I'd have done some goofy synth modulations via automations, a filter + frequency and res knob fuckery but then you just get dubstep. Who even likes dubstep anymore, haha! LAME!

wait... i still like dubstep :'c

SirSandman0 responds:

lol thx. The synth has a voice doubler applied which makes it sound "goofier"

Also dubstep is completely out of style IMO... but I still like it.

[lost winter]

Sequenced, lost winter
1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
9,10,7,10,10 x2 = [92/100]

What happened to that nuerofunk you were gonna floor us all with? You said on Facebook you were going to nuero the fuck out of us. "i just get so bored" BOO THIS MAN AND HIS DECEPTION D:<

Gotta do what makes you happy and stick to your guns, I get it. It's working for you in the house scene so go hard and get that house DJ street cred. I can totally relate to getting bored outside of your preferences, I honestly got a little bored just now. Eight minutes is a long ass time to keep the energy levels the same, despite that break down halfway through which didn't do anything to wake me up. I think you could have pushed the tempo harder which would have added some energy, suspense, and cut the length down just a little bit. One of the harder aspects I have with up tempo genres is keeping things interesting the entire time. A loop happens so quickly at 180+ BPM, DNB is perfect for people with ADD but eventually it gets hard to introduce switch ups. You seem to go in the opposite direction entirely with a track that just climbs for eight minutes but kind of goes nowhere.

I give out high scores, no one needs to tell me that I'm easy with tens. I still respect the mix down, the focus on what you love, and the epic length of the production but I came down kind of hard on composition because I've told you before that going extra long isn't the flex you think it is. If there were 64-100 extra competitors it would be a little insulting to force judges to spend that extra time nit picking a genre that they don't listen to regularly, but this is the final round. You're the only person who regularly pumped out the maximum length.

I've mentioned in private conversation that I'd love to hear you blend in some of your other music skills. Despite playing some mean guitar and piano you stick to classic "progressive house", a genre that honestly stopped being progressive in the 90s. You could eventually become the slick house guy that fuses rad acoustic guitar licks into his tracks but you stick to old school sounds and styles that don't vibe as fresh as genres like future or color bass. It's cool that it is working for you elsewhere, but Newgrounds has always featured eclectic artists that absorb new ideas and styles.

I was really hoping you'd go outside of your box a little but I'm also happy to see that you made it to the final round. Growth can happen in an instant, but it can also take decades. Every year is a chance to reinvent yourself. I think I know a little too much about you and that might have came down in how I scored composition, but that insight also affected technicality. My least favorite metric I choose to judge was "technicality" because I have no idea what people are doing on the other end of their computers, but I know you're hiding technical skills you haven't even begun to tap into. I sheepishly gave most people tens on technicality based on how much of a factor my ADD became. You were fighting my fiancé's network group meeting for my attention, sad times. If you had slipped in a quick guitar riff my attention would have snapped back into your track like-"HE DID IT. HE ACTUALLY DID IT. THE CRAZY SON OF A BITCH DID IT."

I respect the desire to try writing some nuerofunk for the final round, that's a detail none of the other judges had. Would have loved to hear it. I wish you the best with the other judges but I will bring up the electro-acoustics one last time because I think your signed work would also benefit from it. Mix in some of your live sounds and play on top of tracks for fun. You're an incredibly clean house artist but some live recordings could breathe new life to your work! Sit in front of your computer with a guitar, wear some headphones when you have your DAW open, and try recording with your phone for a start. You can upgrade a mic later, just think about it. Do me a huge favor and look up French Kiwi Juice's live stuff, I'd love to hear you do something similar! Shame us all with rad technical skills!

Cheers Wild Keizer <3

Sequenced responds:

I have a mid grade studio microphone and it sounds great, no need to upgrade for now lol.
Prog tracks are around 8 minutes long. It's not a flex, it is what it is. A lot of tracks I am releasing in the next few months are pushing the genre forward, with a different more "quirky" sound.

Maybe its because you're not fully wrapped in the prog scene to fully see. But that is ok. I think a challenge for you (as a judge) is since your brain is use to super versatile D&B music, is to listen to these songs you hear for NGADM with a blank slate, and judge it and the quality and musicality of its own merits. how it compares with other artist of said genre. I say this because the final round is tough when no one is making the same genre.

I think a great challenge for next year is, have everyone decide on one genre to make in the Final. Or pull it out of a hat and really force people to be creative. That way, you can objectively judge all 6 tracks fairly.

Another thing, is to have judges judging with the SAME criteria. Some of the things listed in the sheets dont make sense to me. If judges refuse to adapt, fire them and get new ones.

Anyway, as far as techincal, this track had 65 channels, a multitude of effects and automation. This is the type of genre that seems " simple to make" but open up the project file and the immediate response you get is "wtf". Polishing a house track to be this type of quality is an art form. And learning how to translate mixes into well mastered tracks that sound amazing in clubs, as well in a car listening environment or basic headphones. It takes years to master this.

I just heard masters of my latest EP and I am just dumbfounded how much the past couple of years I have improved on just mixing alone. I want to get REALLY REALLY good at it and that way I know I can be super comfortable being experimental.

Hell, with this EP, its got a 4 minute intro before the drop. with sadguru vocals, polyrhythms, off sounding effects, yet it all blends so well.

I respect your opinion. I just think you should focus on judging the music as it stands out with the rest of the genre. This is club music. Not really NG listener with headphones music. If I end up winning I can retire and become a judge, and really help push the quality of judging for this contest.

[The Final Resolve - NGADM 2022 Final Round]

Spadezer, The Final Resolve - NGADM 2022 Final Round
1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
10,9,9,10,10 x2 = [96/100]

I bet you want praise for getting this far? I bet you want to be called a good boy? You want head pats? WELL TOO BAD SPADE. HEAD PATS ARE RESERVED ONLY FOR PEOPLE THAT GET A PERFECT SCORE. YOU MISSED POINTS IN COMPOSITION AND PRODUCTION BECAUSE A LOT LIKE ME, YOU SPEND WAY TOO MUCH TIME IN CAPS LOCK. Give your high action maximum velocity dubstep drums a rest and use a different snare like... once. The track was practically begging for a high action jazz snare or some pitchy koan sound snare to counter the energy. The track went extra hard, which wasn't a bad thing but if your idea of switching up the drums revolves around lowing the volume on them then I might recommend expanding on your drum programming a little. Toss on some pitch bends, add a filter and screw with freq/resonance knobs, toss in a vibraslap, some guiro, switch up the hi-hat rhythms, add some tambs... do literally anything else because the drums were probably the most boring aspect of the track. I hope you don't take too much offense; the track was splendid as usual but it's such a noticeable failing here that I almost took off an extra point. I didn't but I almost did >:C

I think the length of the track had me forgiving some aspects, you really went hard into this contest. I might have mentioned earlier that the score sheets had you sitting at number one seed? Congrats for leading the contest as well as you did. Others might say the judges had a dubstep bias, maybe we did? Honestly, I would have loved to of heard some experimental grindcore or maybe some accordion math rock... but this was definitely a year for EDM artists to go extra hard and your style capitalized. Shout out to the orchestral artists that made it this far as well but EDM artists have that small advantage of finding all the tones in the spectrum and making use of them advantageously. Perhaps too often though, EDM tracks can get very boring when it's just a brick of constant action so I'm glad you get yourself outside the box. Honestly, I'm a little surprised you didn't slip in one screaming woodland creature towards the end for old times' sake. I'd have chortled over it quietly.

Edit: I went back to your track a few times while listening to Uxvellda's track and I think a small oversight might exist in how you started the track with a mighty (but corny) phased synth patch. I like to get to the action quickly when I write so I know the itch to come out of the gate strong, but you might have benefit from using a little less at the beginning? I think it's fair to point to Uxvellda's track, he opened with some strong orchestral drums before hitting me with those big boring repetitive dubstep patterns. Despite not having the diversity in the dubstep drums that I asked of you, he managed to counter-balance them with some very atmospheric orchestral sounds. You both had incredible sounds coming into the end, but I felt Uxvellda was slightly stronger :C

Regardless of my issues (of which I have many issues totally unrelated to your music) I wish you the best Spade, and good luck with the other judges! Excelsior!

Spadezer responds:

Lol. If you didn't have a reason to complain instead of saying it's perfect, I would be concerned. I underestimated how passionate you could be about drums. I can't say you're wrong though. However, as someone who prides themself in being some sort of a drummer, it cuts to the core. You were probably more focused on the drum samples used compared to the rhythm of the samples I'm assuming, but here I was thinking that adding some high hats at the end of the project was a little extra.

I agree with the sentiment about the genre tendencies for this contest. This contest usually is a yearly battle on being the most populated with either EDM vs orchestral artists, and I think there were more orchestral people last year. You give me an idea to maybe try ADM or UAC by attempting other genres I'm not used to. I don't know if I could do orchestral, but I really think the metal side of the community needs more presence in these contests. I want to see more PirateCrab artists. So maybe I'll attempt to lead the change I want to see in this community/contest. The final round in this contest was interesting just looking at artist's genres. You had two very similar moving orchestral artists, two epic style dubstep artists, and a rare house guy along with a frenzied compositional wild man who reminds me of older NG EDM/chiptune guys.

It's fun being compared to Uxvellda. I new even going into the semi-finals that we'd be going in with similar styles. I find their sound design inspiring so there's definitely a chance to get ideas spurred on just by their style. As to how I've handled the intro, that was a direct consequence on how I went about drafting ideas into the song. The first thing you hear is what inspired every other part of composition in this piece, so I naturally and unconsciously had the song flow in such a way that I introduced the main idea/motif right at the beginning and built from there. Doesn't happen all the time but I do have that tendency.

I always appreciate your feedback :)

[Super Bright Colours]

Zechnition, Super Bright Colors
1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
10,8,9,10,10 x 2 = [94/100]

You've really outdone yourself, pushing that everchanging melodic style to its limits. Another judge may come down on you a little harder for what sometimes seems a little too random and sporadic but the only time it really bothered me was at 1:30. That little record scratch just felt very out of place. The transition would have been fine but that sound didn't endear itself to the switch up. A softer riser might have been welcome. I'm so cliche, I'd have wrote a crescendo portamento sine wave synth with a long cut off or an orchestral cymbal swell. That's just my thing but I stand by the idea that you could have found or engineered a nicer sound. I noticed you used it again later, that's a good technique that can sometimes strong arm a bad idea into becoming a good idea. Repetition is a valuable aspect of music but again, the record scratch is so lo-fi compared to how wet and alive those melodies were. A low rumble could have handed those sections off to each other, a single string instrument rising and falling, a car driving by (sample or otherwise), a choir patch... I can think of a ton of sounds that may have been a little more inspired than a record scratch.

It's a good thing that's the one thing I'm super focusing in on, all your other decisions are spot on. I took two points off production because the mix wasn't necessarily perfect but you almost have a top notch mix. Things were a little quiet. Addressing my EDM bias, the drums could have been side chained more to the front. Sidechaining doesn't have to be super noticeable, but the drums could have slapped a little more prominently. You worked with a sensitive future kit and I liked it but maybe another layer could have gifted you with a soft kit towards the intro, then a slightly slappier dance kit for the later half sections? A nice big kit would have matched the stronk of those synth patches!

*Stronk: adjective- not generally comparable, comparative stronker, superlative stronkest. Internet slang, humorous, nonstandard. Deliberate misspelling of strong.*

Given how pleased I was over all with your drum programming I might have wanted them in the song a little sooner. That initial section with those dulcimer sounding strings might have benefit from a modest four to the floor? Maybe a gentle snare on counts two and four? Loved the bird samples by the way, felt like you were specifically calling out to me and saying "hey Quarl. I put some birds right here. Give me a perfect scor-" WELL I CAN'T BE BOUGHT WITH BIRDS ZECH. I ONLY GIVE OUT ONE OR TWO PERFECT SCORES A ROUND AND GIVEN THAT THE MAJORITY OF EVERYONE HAS BEEN ELIMINATED you had a much higher probability of getting a perfect score this round BUT YOU DIDN'T AND THAT's totally ok BUT NO ONE GOT A PERFECT SCORE THIS TIME AROUND and that's still ok. Music contests are so heavily influenced by the whim of the judges, so I hope you're happy with making the final bracket and I will certainly wish you luck with the other judges! A few of us were rooting for you and your unique style. Have a good one Z!

Zechnition responds:

Hey Quarl! I put some bird foley, AND footstep sounds, so therefore I clearly deserve perfect marks, without question. Please reconsider your choice.

Sincerely,
That Bird Foley Guy

(also thanks for the feedback about drums, I didn't realize & will definitely do that!)

[Spirited Winds - NGADM'22 FINAL ROUND]

eliasalija, Spirited Winds - NGADM'22 FINAL ROUND

1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
10,9,8,10,9 x 2 = [92/100]

Lovely song eliasalija, very well done. Inspired and heartfelt tones! The six of you final round contestants will probably all see a perfect score out of "emotion." I'm going to take one point off from production for what I felt like were noticeably absent bass tones. I'm an EDM slut, we tend to focus on those bass tones too much. I told everratic I'd fight an EDM bias, given the genre that you two have mastered: things sound great. Have you ever considered padding orchestral bass tones with some suby synth compression or another bass patch? IMO, Newgrounds artists are their best when they are toying with new sounds and progressive genre splicing. Coming into the final round I would have loved to hear some synth play from the classical peeps... it's where I'm taking that bonus point from. I'm aware of your strengths and weaknesses, sticking to your strengths is a fair strategy but I love hearing risky ideas. I think Zechnition consistently demonstrates risk with his style.

Thank you for that insightful commentary, I think everyone is feeling a little tired and worn at this point, but you are finally free!

I've told a few contestants that I consider "three minutes" the bare minimum for a deathmatch track. You were right there, some orchestral tune ups, a few seconds of silence, or the conductor tapping on a music stand would have net you another point! Sequenced came out swinging with 8 minutes of track (that I judged a little hard for being too much) but it's kind of a curtesy concept that I wanted to see tracks between three to five minutes out of respect to the other contestants. If everyone wrote 8 minute bangers I'd actually hate it, sometimes a song can be too long in my opinion especially when a bracket has 64 contestants but for the final round I'd have wanted a slightly longer opus.

I can't take off points for technicality or emotion, you wrote beautifully. I hope I've described the minor grievances well enough, it can be hard to justify scores but I hope this doesn't deflate you at all. I loved the song and you've all performed wonderfully. Cheers eliasalija!

Santi-Montali responds:

Heyyy thanks for the review! I get what you mean, I couldn't experiment much outside of the orchestral landscape because -life- haha. Anyway, thanks for your work!

[junebug [TRANS PRIDE DUB WAR]]

Effing awesome sounds. I especially loved that dnb-breakbeat section towards the end. Lots of grime. I find it funny that there are enough dub trans producers in one place to get a decent soundcloud compilation. I hide in my little space, would have contributed if I knew something like that was going down but it's impossible to be everywhere at once. SCREW GENDER- I JUST WANT TO BE AN OMNIPOTENT MULTI DIMENSIONAL ORGANISM THAT VIBES WITH EVERY GRAVITATIONAL PULSE, DON'T JUDGE ME.

That dubstep section had room for a little more character if you added some more pads and atmosphere. I have a dulcimer bias, would have topped on some middle eastern sounding dulcimer licks. Would have also liked some reverbed vocal chops but I notice a lot of young producers are afraid of sampling stuff and why shouldn't they be? Copyright infringement laws are scary D:

I think the mix down could be a little more powerful but finding that space can be difficult, even on a good day. Loved the leads so much but they are the most powerful aspect in the mix. Maybe the sub could be amped just a tad more? I think there's a lot of room for additional panning data, things are kind of mono sounding, everything sounds like it hits from the middle. So much diversity in that lead synth, you can probably create some really fascinating dynamic switch ups by automating the pan data on it. Panning is something so many producers overlook but doing it right can create powerful illusions of space and depth. I love it when pads, leads, and sfx move around the field. Music often emulates nature, bring life to those synths by giving them organic and constantly changing locations :3

I don't want to tell you how to do things girl, you got a great sound going. I just have this bug to critique peers to try to get the best sound out of them, blame the art major. I'm just as critical on my own work and often fall short of my own expectations so I'm sorry if this review comes off the wrong way. I've been listening to a few of your other tracks while writing this review, lament (feat. Lunanescence) has a great mix down. It manages to hit those spaces, textures, and tones I'm talking about when I say something like "there's more room" but it also looks a little squished. Compression creates that illusion that sounds are louder by removing some dynamic information but it's noticeably more powerful... could just be the sub bass?

WHY DO I WRITE LONG REVIEWS? NOBODY ASKED FOR THIS REVIEW, THANK YOU FOR WRITING A GREAT SONG, YOU ARE A SHINING STAR. YOU SHINE BRIGHT, LIKE A DIAMOND. A DIAMOND IN THE ROUGH, YOU SHINE, SHINNINGLY, SHINEFULL. THANK YOU.

patchstep responds:

thank you so much for the in-depth and overall extremely positive comments!!!! loved reading this

[Inktober #30 - Don't Give Up Now!]

Hey sorry I didn't get around to dropping a comment earlier but I've been stupid busy. Wish I made the song a little longer for you, I never thought anyone was gonna rap on it. You just kept coming up with the rhymes. I lost it when you started off like "hell yeah I'm not giving up," fucking laughed my ass off. I'm glad someone understood the core message XD

A lot of hiphop I grew up with was super moody and negative. It's a nice change of pace to start a track with a huge happy grin, cheers CyberDevil :D

Cyberdevil responds:

Heya, no worries, I'm used to spontaneous and/or sporadic interactions here. :P Length-wise this was perfect really. Gives the impression there's just no limit to my capabilities when I keep going off beat too IMO, feels like it worked well with the 'don't give up' theme. Though I might've initially chosen it since it was shorter actually - instrumental inspiration exceeded expectation.

Thank you. :) The original track's such a happy vibe too - mutually moodboosting!

[Bullet Train (WIP) [NGADM Round 4]]

Solaraloe, Bullet Train
1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
9,7,8,9,9

I liked this song but I want to get right into what I think is the most noticeable issue and it's going to be mix nitpicks. That drum kit (or just the kick and snare drums) could have been side chained a little more forwards, the synths fought for dominance. Drums drive all EDM genres, harder styles in particular benefit from putting the kick & snare forwards. Everything is still very powerful but that lends itself more to the fact that the drum samples are good, not that they are mixed perfectly. Given how the drum kit was mixed it sounds like certain tones are missing from the snare, mid to highs. While the mids and bass tones are important, those high textures can really give a snare drum character. I always loved how much creative texture artists like Koan Sound puts into snares.

Those 32nd note hi-hat rhythms are a little distracting, less is more. 32nd/64th notes can make great risers, especially snares drums when you use the element sparingly. You can pitch bend 32nd note drums, play with the volume automations and make entire drum rolls out of one snare sample. I'm sure you've come across the term "riser" in production? Risers are just elements that raise the action of the song to meet the energy of a drop. Usually, they're synthesizers or samples but a 32nd note snare roll starting pitched low then high via automations is an EDM staple which crescendos the action splendidly.

Compared to everyone else in the bracket, I think this was the shortest track I had to judge this time around. Short is never a bad thing, sometimes you can say everything you need to say in a minute long track but I think it's only fair I subtract a point given there were others that put an equal amount of work into 8 minute tracks. Three minutes is my bare minimum for these kinds of contests, normally I don't take points off for it but losers bracket was a shark tank this time around. I felt there were other artists that did exceptionally well this round so I might be coming down a little harder on you but know that it comes from a place of passion and respect. This song was a great hustle Solar, the energy was top notch and fun!

I'm going to pick on you for that initial square lead motif, it sounded incredibly old school. There was some really cool synth modulation along the way but the motif chords were just a wee bit corny. I suppose EDM lends itself to be pretty corny sometimes, I'M LOOKING AT YOU EXCISION. HE THINKS HE'S SO COOL BECAUSE EVERY DUBSTEP SONG HE'S EVER WRITTEN STARTS OUT WITH SOME MOODY MONOLOUGE ABOUT SOCIETY COMING TO AN END OR ALIENS INVADING FROM OUTER SPACE. PFFFF, LAME. I don't have any advice on how to avoid making something that others might find corny, it's part of our trade. To some people, EDM in it's entirety is fake music played by computers. There is no such thing as making everyone happy. You do what makes YOU happy because the rest of the track had some really special high energy synth work, absolutely stunning. I really love those rhythmic synth leads.

You know what, those introductory motif synths I found corny might have sounded better if they weren't fighting with that huge dubstep drum kit for attention which leads into my next critique...

You could have displayed some more diversity from your drum samples. A smaller drum kit or softer intro drum samples could have benefit those particular synths a little bit. I like to split my drums into layers. With three bass drum and three snare drum samples to build the main kit I can often fake a smaller kit for things like introductions and break downs using only one or two kick/snare samples. I'm not sure if you're layering your drum samples or if you're just using good samples but with three snare drums layered and mixed for the chorus, the weaker snare samples can contribute to other sections of the track. I'm sorry if I'm not saying it in a way that makes sense but many EDM producers over-look drum sample diversity. Switching up the kit as the song continues is a great way to transition energy from one section to another. Changing up the drums adds a very organic element missing from many genres. Even live drummers can diversify their sounds by playing on the rims, side-sticking, or changing cymbals to create new dynamics on the fly!

Sorry for handing you a massive critique but it's only meant to motivate you a little bit more! I grew up on Newgrounds listening to tracks just like this. When I called that square lead "oldschool" the statement comes from a nostalgic place. Though I've never used Fruity Loops, I know staple FL patches when I hear them. Many pros in the scene right now started with these kinds of tracks. Pros like Space Laces, Emperor, Fox Stevenson, and Solider Boy all went through Newgrounds at one point or another. You could be the next big thing Solaraloe.

I hope this review helps and comes across alright. Have a good day Solar and cheers!

Solaraloe responds:

Thanks for the review! This sort of extensive feedback and critique is exactly what I'm looking for to help myself improve as a producer, so it's very appreciated.

[Allegory Peak - WIP]

Zechnition, Allegory Peak
1]Technicality 2]Production 3]Composition 4]Emotion 5]BonusPoints
10,9,9,10,10

My first take is about the length, I sometimes shun people for writing extra minutes which test my attention span. Your track on the other hand is only slightly on the short side but I'm not going to take off any points over it. You kept the music very interesting throughout the track and that to me is more important than an eight-minute build up. I've become a little biased for your tonal stylings and melodic presentations. I'm going to recycle a crit I levied heavily during the Art Inspired Music contest and say that if you're using vivid imagery such as "climbing a mountain" think about the kinds of sounds you may hear on that journey and incorporate those as recordings or samples.

I live on a mountain, the peace and quiet is nice but we get wind often gusting through the valley. Wind took a tree down the otherday, I watched it fall. I've installed a windchime to take advantage of the gusts. Animal sounds are a thing on the mountain, from elk to coyotes. Song-birds are a classical element in music and were first introduced back in the 14th century. Evoking birds with melodic elements is great, some of your melodies reminded me of song birds but a literal bird sample can add depth and "wetness" to a dry mix down. Questionable samples are less encouraged in the Deathmatch but given how cinematic your style is you should research some new techniques and ideas to buffer your music with live, unpredictable organic sounds.

Decent portable field recorders start at $100. With some additional research or cash you could nab a really good tool that let's you grab samples from your environment. I stood on my porch in Georgia recording birds once with a field recorder. After 15 years of production, I've accumulated some meaty sample folders interwoven with stuff nabbed both in real life and from the internet. Bird noises are just bird noises, I doubt it would create much of an issue if you just sampled birds from somewhere on the internet but you could have reached out and asked LD-W to verify. Live, unpredictable, organic sounds would have pushed my composition score to a 10. Alternatively, there's always a chance another judge would have removed points for "unoriginality." Compared to many of the other judges I give really forgiving scores. I considered taking an extra point off production for what sounds like a dry mix but you have certain unique stylings that I love; I still notice the sound of keys being pushed from time to time. Either it's a good patch or a good recording but either way it's very nice.

The synths were inspired but might have benefit from filtering off some of that crunchy scratch while boosting more powerful bass tones? I'm having a hard time nailing my criticism, sorry Z. I feel like I'm still giving you a great score, cherish it but consider rounding out your style with some of what I've mentioned. Your unique style has allowed you to quickly become a favorite of mine. Great material Zech, perfect in its own right :3

Zechnition responds:

thanks for the lengthy words!

I have some binaural bird samples I got off freesound.org that are CC0 (anyone can use them commercially) and super cool. l like your suggestion that the texture could be more natural & imperfect, I definitely see a bit too much shiny chrome perfectness at times, and I will indeed be stealing the bird foley suggestion. And as they say nowadays, imperfection is the new perfection!