Quarl's audio Reviews on Newgrounds

[Farewell And Goodbye]

Loved the honest heartfelt piano melodies. I feel like you could have played with the note velocities a bit to get more alive sounds. I play piano and have midi controls but when I write melodies I always remember to try to vary loud and soft note velocities as if they were being played for real. Rubato also gives piano a more human sound. Some melodies can drag out or be a little off beat and that small detail can create so much life.

Track is so long, I have no idea how many times I listened to this loop. Due credit for making a five minute track. I remember on the first listen that the dubstep/DNB drums punched me out of nowhere. I'd have faded them in with a filter or something to soften that up and then introduce the full power kit at a later climax. Maybe the intro could have used a softer jazz drum kit? The drums here are so powerful. I was expecting this to go full nuero skrillex.

It's still a great track. You're writing great melodies and progressions. Drums, despite sounding like the wrong genre, are powerful and full. There are some great ideas here and I can't wait to hear more :D

TrandafirTeodora responds:

Thank youuuuuuu!

[Deeps of Europa]

Avent-garde, musique concrete. Love the atmosphere from this. Cool scifi vibes and sounds. Actually reminds me of the original Mass Effect trilogy musics. Simple synths and distant growling pads. I got nothing critical to say about this other than stick a compressor on something and amp up the sound levels a little more. You got plenty of room in the field for more noise :)

BlueTuxedo responds:

Oh thanks you, i made this after i heard a ping sound in FL studio library, and my mind after that cracked and i got flashbacks from game Barotrauma so decided to make something ambient about it. The game atmosphere itself is dark and scary if you look out of a window in submarine, if we also include scary monsters that swim around it becomes more scary.. but it all wipes out because game have a voice chat! Haha

[Calmedo]

lol, you got a fun little style evolving over here. You got the right idea for using hi fi sound samples. The drums hit nice, the bass is big and round. I'm getting some armature vibes from this but I'm also hearing good potential. A string ensemble or violin section could have sweeped in at 00:33. Another good instrument would be a simple sinewave synth with automated pitch bends and curves. Bird chirping samples is not a new or original idea but some bird songs might give this track some positive character. Wind chimes could also accomplish the same task. Some tambs and shakers could have helped tie up the rhythm into something that resembles are more contemporary beat. I love drums that are a little unpredictable but a good rhythm has a lot of different sounds working together and against each other to make a solid rhythm. As a drummer, I tend to zero in on drums. There are a lot of ideas in this track that could benefit from more aux percussion.

Thank you for sharing this with me Blue Tux. I can't wait to hear more from you :)

BlueTuxedo responds:

Thanks you for giving criticism on my song! I actually started to making music like not really long ago, like a week or so? I'm making it for fun when I'm bored, i love that someone likes my song's.

[Cabin]

I'm guessing this is also coming out of cakewalk? Wish I knew more about the program so I could offer suggestions for where to take your sounds. You've got a nice young but flexible style of writing melodies that can evolve in whichever direction you want to take it. All I'm hearing right now is the limitless potential of someone finding their voice :)

Catalystl responds:

Thanks for the review!

This track wasn't made with Cakewalk, I used some other program called Brel's Midi editor, which was a lot clunkier to use.

Cakewalk Pro Audio 9 is old and outdated, and so is its sound system, but its easy to understand. It just involves using SoundFont files (which contain many .wav files) to change the sounds of midi instruments when they're played.

I kinda like old programs more than new ones because they're just easier for me to learn, even when you can't look up how to do anything in them.

[Sawce]

I love hearing the early music that people make. In ten years you'll be producing some heavy future jazz musics and only the real fans will say "remember Sawce? Damn we're old now."

I think you got some room in this for some more instruments and techniques but the fun thing about digital musics is that you can always open an old file years later and hit it with new knowledge. There's room for basic sine wave pads, string or violin ensembles, Rhodes Mk II, saucy clavinet melodies, tamb and shakers...

That was a really interesting choice to put so much reverb on the hi hat & clap snare. That effect takes the place of potential aux percussion in the mix. I'd have traded the reverb for more percussion instruments like tambs, shakers, more hi hat layers... track still funks something nice. I'm just trying to get those creative juices flowing a little :D

DaVaP responds:

You think i know all this i just go 'tune bangin' and ship it

[Cosmic Druid]

Yooo, that snare slaps nice. Which specific frequency did you decide to amp to get those hi freq snare slaps?

Dude, get out of here with these perfect little scribbly nuero basses. Whatever drugs you are on right now, keep doing them.

Demonicity responds:

Pogo with camelphat ;)

[Ad Astra (VRC6)]

Punk rock rhythm, in-your-face bass. Love the melody progressions. If this was a Sonic or Mega Man game the stage with this song would be my favorite.

MaldivirDragonwitch responds:

You flatter me! So glad you like it! ^^

[Jaywalker]

I hear your 7/8 time signature loud and clear. My college thesis work was all about time signatures, love the world of syncopation <3

Melodies and rhythms are all really cool. Is this a Beepbox creation? The last five or six people I've listened to have been using that app xD

edit: Famistudio, read it on your other track :D

MaldivirDragonwitch responds:

Ah, yes, the prog fan in me can't resist having fun with odd time signatures now and then. Glad you like it! That college thesis work sounds sweet. :D
I personally never used Beepbox, this was done in a DAW with the some 16-bit sounding VSTs and some Genesis soundfonts. Not a "true" chiptune, but I think it sounds rather cool!

[Dog Bus Remixed in the style of QUAKE]

Super avant-garde. Creepy space vibes. Most people wouldn't consider this to be music but those people haven't spent enough time in a small room with a bunch of video artists learning about Fluxist stuff. The is the kind of track that would cream my sonic art professor's pants. If the instruments here were plugged into a surround sound mix, this would qualify you for a BFA from a University :p

Redead-ITA responds:

Well to that i credit trent reznor and the quake community for the feedback!

[Warp]

This is so massively cool. Only suggestion I might make is a crisp snare layer, maybe an 808 or a clap to give the track a little more of a spine... it sounds like nuero and idm had a spineless jello baby... track just melts. Bass reeses are nice and wet. You got my attention so hard with these creative breaks. Drums are busy doing their own thing and I can't get enough of them. Again, only suggestion is to add a crispy snare layer. I feel like aux percussion can always fit places. Chimes would sound nice at 1:23. Tambs, shakers, and rides could add a little more diversity at 2:07. I notice a lot of producers seem to avoid toms but I love tossing in an odd fill or roll. I keep reminding people that vibraslaps and güiros are awesome instruments to sprinkle in.

That's all I'm gonna say about suggestions. You have such a unique style. This is mad cool and I love it.

HypercubeRecords responds:

THANKS!! Alot!!!