Quarl's audio Reviews on Newgrounds

[Waves]

Intro had a nice, soft, lush pad. Old school amen breaks, but clean drum samples and engaging rhythms. The ghost snares and bass drum grace notes were fun to grove to. I got an amen break arm band tattoo, the sheet music glides around my fore arm. I got nothing but love for the amen break.

Worth noting is that the track feels a little repetitive. It's easy to get to a point and say "heck, I'm done" but I've found there's always more you can do to a sound. Some familiar auxiliary samples can help break up repetition. A poor example might be Mario saying "Let's Go" or Luigi saying "WOAHAOHAOH!!" I call it a bad example because of copyright laws but you have to admit, Nintendo mascots would sound good in the background of something like this.

I don't say this as if sampling is a crime. You have good sampling and bad sampling. When you admit to using samples sparingly, a lot of mods will turn a blind eye to it. IMO, that's a fair use of sampling. No one's going to bark at you if you use a vibraslap or chimes from a youtube demonstration video. Fact is, no one would notice that. Most won't get upset if you're honest when asked about it. Sampling is... complicated.

Additional thought, that sub bass could have been pushed a little harder. It wasn't as noticeable on my PA system as compared to my headphones. I've had success with layering a slap bass on top of subs, then adding some distortion to boost bass frequencies while muting the highs, then EQing the two instruments together. Slap a compressor to the final sound for good measure.

Hope this helps a little. Honestly, I hate sounding critical when I actually love it. I just think this needs a little more character to really stand out as a phenomenally flawless jungle track <3

ksdmusic responds:

Omg thank you. I may Upload a "reworked" Version of this. But thank you so much for the feedback

[POLY - A Year Where Decades Happened]

Happy to see you on the front page love. This sound has an accessability to it I don't get from some of your more atonal work. Keep pushing yourself dear :)

Anchorwind responds:

It's always good to hear from you. This piece is one wherein I would never be satisfied with it. I started with what I thought would be a direction and then "but this" "and this!" "i should fix this" "no i don't like this now..."

Over time I think we get better at understanding life is an incomplete story. Whether we do well with accepting such is an is a different matter. Polish people have a nice summation for it: Jakoś to będzie (ya-kosh toe ben-jay) - to worry without consequence because things will work out in the end. In the Army we had a much more blunt way of putting it. "Shit'll buff out."

I hope we all can emerge the other side of this rollercoaster, heal, and somehow be better as a populace. We've learned some hard lessons.

[cat go bye bye dead time]

Wish I wasn't on my phone right now, this sounds mad cool. Adding to favs to give this a legit listen later on my fender passport.

Unf, thanks for the full sample at the end. It's always awesome to hear people take random fun sounds and abstract them.

Cool off beat patterns. Original snares. I hear nothing wrong on my phone. Damn... my headphones are so far away right now :'(

EDIT: on my headphones, mix is a little bare bones. I'd let that snare punch forward more. Not sure if you use your snare drum to sidechain ever. Depending on the track I usually just use the bass kick to sidechain the levels on the bass and pads. Adding snare signals to the sidechain flow can help on a mix like this.

Lol, that panning on the hi hats. It was a nice touch to hear on my Sennhiesers. I avoid automated panning back and forth like this because on particular speakers you can lose entire sounds and ruin the entire track. Granted, I'm talking piss poor speakers. Often times I use automation in panning to just move a sound to a different area when the track changes. Let's say the chorus hits and suddenly a panned sound is drown out... automate it to immedietly pan somewhere else with more space.

Could use some more aux percussion my love. Shakers, tambs, rides, cowbells, vibraslaps, güiros, wood blocks, rain sticks... heck a gong might sound nice in here. These are just my own thoughts though. Track is still dope. I just like to push NG audio peeps to go harder with their drums :)

valdamaer responds:

Yo thankyou!!! Starting from the end, I didn't add too much extra percs cos it was just a little few hour challenge with friends. I probably could have gone a little more imaginative but eh, next time I make a release like this, I definitely will try! I totally get the thing about autopanning, I'm just not super good at getting stereo width yet so that's kinda the only rabbit in the hat for me.

Weird about the snare, I have a separate sidechain click controlling the sidechain on all the kick hits and snare hits, might have just had to turn the snare up a little, but c'est la vie. Also in terms of bare bones, I was kinda going for that minimalistic Burial vibe, but at the same time I guess I could've added some things which would've made it a little fuller.

Thanks for your feedback and critique, I hope you stick around for more :)

[Slow Motion]

I'd pay $5 to hear a version of this without the modulations on the voice. Under all those effects I think I can hear some good singing. Some vocalists go super hard on things like reverb. I kind of prefer the less is more approach.

Taking this one critique to another level, I noticed that I couldn't enjoy the back track as much because of how in my face those vocal effects were. Peel back some of those fx and the entire mix will benefit :)

Final take on this one critique... I get the feeling people are afraid of their voices. I did the same thing in highschool by overloading vocal recordings with effects. You paradoxically cannot progress with vocals unless you are willing to hear yourself and open up to critique. I have so much love and appreciation for anyone willing to use their own voices. I'm not implying that you have vocal shame... but honestly I hear some really nice sounds lurking under those noisy frequencies. Such lovely sounds :o

ADR3-N responds:

If you'd actually venmo me 5 bucks I'd do it for ya! It'd take me a couple hours to work around the compression and redo everything and I just in general am so lazy ordinarily wouldn't. I could just leave the raw vocal on top with some compression maybe, and the vocoder harmonies beneath, but most of what you're hearing is a distortion plugin and some slight pitch correcting

This track I felt like experimenting with different timbres, I'm almost whispering at points. I have three takes, some of which I had to edit out from the party going on in the next room. I wanted to see how hard I could push vocoders and distortion to get a different sound, like song for my mama type vibes. The talk singing shame was like off in the corner making it hard to mix. I'd be down to pull a redo

[Incineration]

I keep thinking "can't wait to hear this on headphones" but am stuck with a kitten in my lap and don't want to betray it's trust. I will get down to this later on my PA system. I want to know what those lows sound like :D

This ending is way cooler than it has any right being. I'm gonna have to ask you to add some vuvuzela samples to make it less cool. K thnx.

baryiscool responds:

vuvuzela samples it is

[Tundrata]

How dare you challenge my listening skills by tossing out a 3:35 time stamp. If I have to listen to relaxing chill vibes for three and a half minutes than I shall decidedly suffer. I'd have put some reverb on that snare drum. Probs would have tossed in an odd cowbell or gong.

That 3:35 drop at needs a pikachu sample. You can take this critique seriously or not. I'm just saying, a cute "PIKA" would satisfy my simp sample ass. That ambient section leading into it could have used a nice long dialog sample. I came to the realization recently that newgrounds has a lot of voice acting talent which could be useful for giving tracks a unique atmosphere. Do it :)

TeraVex responds:

I’ll add a Pika but only because you told me to! I struggled to find some good gongs/percussion for this, I really wanted to add some but I wasn’t finding any with the flavor I wanted... I’m probably gonna look around a bit more because I feel like it’d improve the tune

[DrUm aNd BaSs LoL]

This song rocks my socks, packs my glocks, and invests my stocks.

Father-of-Death responds:

WORD!

SUP QUARL!

[Centralia PA]

That intro reminded of what it felt like to listen to Boards of Canada in college. Super colorful chords and interesting choices. I loved that modest guitar. That note at the two minute mark was either too loud or could have been an octave higher? That's my constructive input. Legit perfect track otherwise :D

RazzmatazzMania responds:

Lmao tbh I was stressin’ about that note. I thought I turned it down more, but now I know I’m not crazy.
Thank you for the kind words!

[Side Hustle]

lol, that slap bass jazz drum kit combo reminded me of some old fashioned squarepusher. Check out his band Shobaleader One. Squarepusher is better than bass Jesus, IMO:

https://www.youtube.com/watch?v=d-j_D-O1vwM

Flashbulb can also give bass Jesus a run for his sheckles:

https://www.youtube.com/watch?v=ZD8N9tDDQT4&list=RDZD8N9tDDQT4&start_radio=1&t=0

No shame in working to pay the bills. I'm not sure where this luxurious idea of artists being rich comes from but it needs to stop. The dirt poor homeless artist is far more common. That's not a particularly good cliche either.

Don't feel guilty for writing about yourself. We all have lives away from the internet. I love knowing more about the people I stumble upon here. It may often feel like you're alone, tossing bits of your life onto a lonely internet canvas, but people lurk in the shadows. Those little scraps of life feed stalkers. OWN IT :D

After listening to this for an hour or two I started to wonder, did you ever consider writing a section of this song without drums? A melodic pad or arrhythmic break down would have been acceptable at the beginning, middle, or end. This track could have been at least three minutes long with an intro. Maybe four minutes if you copied the intro and pasted it at the end while changing one note.

:D

TeraVex responds:

Thank you! I do hear some Squarepusher in this! I've been thinking about making some mini tunes as part of a pseudo music journal series but I haven't really figured out how to approach it but your review has given me inspiration! I like the idea of the song extension too!.. Maybe I'll play around with that for a future extension!

[Run]

Lol, this is so cool old school. Reminds me of old Calyx and Timecode, early millenium. At that point the Moving Shadow label was transitioning between the old school dnb to more of a nuero sound. I stayed for the synth work that came in around 00:50. It was so CUTE. I just want to pinch the cheeks of that sawtooth wave reese.

HypercubeRecords responds:

Thanks XD