Quarl's audio Reviews on Newgrounds

[DrUm aNd BaSs LoL]

This song rocks my socks, packs my glocks, and invests my stocks.

Father-of-Death responds:

WORD!

SUP QUARL!

[Police Brutality]

Fuuuuuu, this is some sick nuero. I'd have gone harder with my mid sounds EQ'd but that bass is so beautiful I can forgive missing a little texture. Ouch... this song hits so good. How would a more prominent ride cymbal sound in this track? I caught sound of a ride at one point [1:17], maybe add a different ride at different parts? Cowbells? Lol.

Edit: cowbells. This song needs a cowbell.

[Centralia PA]

That intro reminded of what it felt like to listen to Boards of Canada in college. Super colorful chords and interesting choices. I loved that modest guitar. That note at the two minute mark was either too loud or could have been an octave higher? That's my constructive input. Legit perfect track otherwise :D

RazzmatazzMania responds:

Lmao tbh I was stressin’ about that note. I thought I turned it down more, but now I know I’m not crazy.
Thank you for the kind words!

[Side Hustle]

lol, that slap bass jazz drum kit combo reminded me of some old fashioned squarepusher. Check out his band Shobaleader One. Squarepusher is better than bass Jesus, IMO:

https://www.youtube.com/watch?v=d-j_D-O1vwM

Flashbulb can also give bass Jesus a run for his sheckles:

https://www.youtube.com/watch?v=ZD8N9tDDQT4&list=RDZD8N9tDDQT4&start_radio=1&t=0

No shame in working to pay the bills. I'm not sure where this luxurious idea of artists being rich comes from but it needs to stop. The dirt poor homeless artist is far more common. That's not a particularly good cliche either.

Don't feel guilty for writing about yourself. We all have lives away from the internet. I love knowing more about the people I stumble upon here. It may often feel like you're alone, tossing bits of your life onto a lonely internet canvas, but people lurk in the shadows. Those little scraps of life feed stalkers. OWN IT :D

After listening to this for an hour or two I started to wonder, did you ever consider writing a section of this song without drums? A melodic pad or arrhythmic break down would have been acceptable at the beginning, middle, or end. This track could have been at least three minutes long with an intro. Maybe four minutes if you copied the intro and pasted it at the end while changing one note.

:D

TeraVex responds:

Thank you! I do hear some Squarepusher in this! I've been thinking about making some mini tunes as part of a pseudo music journal series but I haven't really figured out how to approach it but your review has given me inspiration! I like the idea of the song extension too!.. Maybe I'll play around with that for a future extension!

[Run]

Lol, this is so cool old school. Reminds me of old Calyx and Timecode, early millenium. At that point the Moving Shadow label was transitioning between the old school dnb to more of a nuero sound. I stayed for the synth work that came in around 00:50. It was so CUTE. I just want to pinch the cheeks of that sawtooth wave reese.

HypercubeRecords responds:

Thanks XD

[Aurora]

This took me back to High School. There was a time when newgrounds was so heavily inundated with oppressive amen break samples and filtered Reese saws. That might sound like an insult but that time period shaped so many of my tastes in the last couple of decades that it is essentially a part of me. I kind of miss that period of wonder and mystery.

Track could use a little more polish but I'm not gonna try not to hound you for it. Couldn't tell if there was any panning going on. Might of been able to slip in some auxiliary sounds left and right to add character. Maybe a simple high pitched synth with a soft release?

On that note, moar aux percussion! Gongs, chimes, vibroslaps, some wood blocks... on that note, I haven't used wood blocks in a while. I'm stealing this idea...

SchattenDnB responds:

haha, no offense taken! i might actually work on a second version of this track since i'm not proud of how it turned out. But thanks for the response, means a lot.

[DJ Seuss - Made Of Sunrise (Echoes)]

That drum kit was so huge at the intro. I know how other people feel now when they get assaulted by a snare the size of Jupiter. I always loved huge snare drums but the dnb crowed has moved towards phat high pitched snare sounds.

I'd have maybe sped the drop up a little. I automate so many BPM changes, it can really help liven up things from time to time.

It's a great track Floyd. Something felt a little low energy about it though. Might have just been the overall mixdown to be honest. This has all the elements of a tight banger but is missing something... maybe more panning? Auxiliary Tambs? A ride cymbal? Vibroslap? Dunno, some samples of wild animals?

Regardless, jam on Floyd :D

[Killin' Void - The Escape Plan]

Super chill. For some odd reason I wasn't expecting such a relaxing drop. Thank you for giving us some easy to listen to breaks. Great vocal chops. This is some victorian era high class shit. Why'd you tag other artists though? Are they inspiration or a sample source? Seriously, great tune :p

[Thought]

Loved those melodic explorations. Those instruments felt like they were searching each other out. Drum rhythms pounded. Those subtle ghost snares added a good bit to the over all groove. I think you could have gone a good bit harder on your aux percussion. You could have fit tambs, shakers, cowbells, more hi hats... and panned them all to find places for them.

On that note, panning sounds like what I'm missing the most. There's so much room left in the mix, every thing that falls mid to high frequency could have had it's own home.

I'm loving those bass rhythms and grooves. This track jams so hard. I only wish the mixing techniques were a bit more powerful. Good night love :D

Noisysundae responds:

"Ah thank you for another bunch of mixing tips, Quarl. Honestly, I was only trying to EQ the existing synths to occupy the highs. Completely forgot about the percussion. :P

About panning, I usually use slight randomization on note panning in FL, rather than just setting that of the synth. Perhaps I should drop this habit since most of my tracks are full of synths playing at once." — The Manager