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Quarl

1,366 Audio Reviews

881 w/ Responses

Track has a fun tempo, the synths are killer. Mix is nice and big. Would like to hear this with a longer intro. You could introduce some of the pads and slowly swirl the track into a climax instead of going right into it at 100% velocity. Those cinematic atmospheric introductions make for some entertaining drops :3

Good stuff none the less Hexil, track hits haaaaard :D

Hexelbit responds:

Thanks, I'm glad to hear it! Actually I do synths in about the same way as I choose tempo -absolutely in random (I just liked the number 160) roflmaolol.
And as for the structure, I specifically did not add it. As for me it is the most frequently used stuff. Like in my opinion, this makes the track super not original. But maybe I'm wrong

Absolutely stunning melodies and perc! This track hits hard.

If I may critique the mix a little, that drum kit could punch much harder through the bass & synths with some side chaining. Track like this, I'd be tempted to merge both the bass drum and snare drum signals to control the levels of your synths. You could then beef up those same synths with some controlled distortion or EQ units. A compressor will let you minimize the differences in an instruments dynamics in such a way that makes it sound louder. With that contrast between side chaining, distortion, and compression you can make some tremendous leads.

That arp pad @ 00:41 could benefit from some experimental cross channel panning! You could automate a change in pan continuously from left to right in a square shaped pattern. The benefit to panning is that doing so will induce an illusion that a sound is louder than it really is. This then allows you to turn the levels down a little on that instrument making more room in the mix for everything else. An amazing mix knows when to pan what. Bass frequencies sound best in the middle but mid to high frequencies can get some nice field panning. I typically find a place all the way to the left or right side for my auxiliary percussion such as tambs and hi hats. Since the drums are typically the most important element in the mix for EDM genres you can leave the bass and snare drums center field :3

There is much to love about this track. Please don't take this review for negative. I just want drum and bass producers to produce the sexiest drum and bass they can :D :D

Love it Jern. I'm in the same boat in that I didn't "master this proper by listening to it on the car speakers, on my phone, over the WalMart PA system, through a can with a string." Glad to see someone taking LMMS to new heights. Instrumentation and writing is top notch! Super funk vibes. I love how many directions this goes in. That lounge jazz section around two minutes in was a solid change up and the down tempo drums coming back in was arguably sexy. The length of the track shows off amazingly inspired song writing skills. You didn't keep things static or unchanging and I know Spadezer will love that. I tried doing that with my track but felt the entirety of it revolved around a repetitive Rhodes chord progression. You more or less nailed what I wanted to do :3

Good luck Jernemies! Our bracket is sounding tight. Looks like we still have to wait to see what cMackie brings forward. It's not too late to team up and kill him I guess?

Jernemies responds:

But... didn't you already kill him? WHY DID YOU DECEIVE ME? >:/
Glad you liked it tho

Sometimes a song title is so good there remains no option but to listen to it. Good job with that rambling high energy title <3

You have accomplished perfect anime vibes. Let's pretend this song accompanies an anime. This is now my favorite anime, I don't care if it's about a hunchback male janitor in an all female boarding school on an island in the Androma galexy. This is now my favorite anime because the theme song is so LIT.

3xBlast responds:

Thank you so much! That was definitely the vibe I was going for, including the way too long/overly descriptive title! Glad I made someone's favorite OP for a non-existent anime!

I wasn't able to give this a solid listen earlier but I love it so much. Vocals are really well done, melodies lead those vocals perfectly. Perc and tones are all fun and interesting to listen to. This is my favorite track from the first round of the NGADM. IDM background sfx is perfect. Lush track GBF <3 <3

That little sax was smooooooth.

EDIT: front paaaaaaaage :'D

GameBoyFireworks responds:

Thank you so much <33

I've been waiting patiently to see what everyone in our bracket brings forward, I'm happy to finally hear your track Diossel. Very gentle, very atmospheric dnb. Lush pads and strings. Those sensitive little keyboard melodies are essential. I love that you chose a fractured snare pattern for the rhythm instead of those big jump up two-step patterns common in the scene.

I'm also glad you wrote a little bit about your time getting into music on newgrounds, a lot of us older users share similar origins. I remember collaborating with Fox Stevenson here when he was 12. Emperor was here for a minute under the alias "Parathile." Spacelaces had an account here. I hope one day I'll be able to say "I lost to Diossel in the NGADM and now he's BIG." I won't have to wait long to know if I get to say that, but I really do love watching people grow. Regardless of what the future holds for us, I'm rooting for you D. Good luck and let's hope the judges know good music when they hear it :D

DiosselMusic responds:

Thank you, I'm very excited to know that people like my music, it makes me feel happy, I really appreciate it.
Thank you very much!!! ^^

Perfect chill dnb breaks, awesome pads, smooth piano, great atmosphere. Drums from 1:01 to 1:23 sound thin, I could use some more textures in them. Layer up a phat subby kick and a clap or 808 snare :)

I kind of get what MisterRedEyeGuy was complaining about, repetition can sink a composition but to hell with dropping zeros on stuff you just don't like. Petulance.

Loved it. Mix down could probably be a little more fine tuned but I love the elements all coming together to make some really grimy filth <3 <3

Edit: since you're asking about mix I'll toss out a few ideas. Fair warning, everything is awesome I'm just nit picking things. I'm at max volume listening to this but I like having the option of turning the volume down. Theres more room in the mix to push a few instruments harder. People worry about over compression but you might listen to your track on another set of speakers and realize this sounds different. Bass is great but given the genre you might be able to push it a little more. Snare drum falls a little flat sometimes. Maybe experiment with another snare layer more in the mid range? A clap or 808? I'm really splitting hairs here but I do feel like certain tones are missing. Maybe some more aux percussion? This track would love a vibraslap or a waterphone.

I can't tell how much panning is going on but I think you can really push left and right further. Panning creates the illusion that sounds are louder than they actually are. By getting braver with mid to high range panning you can then turn those sounds down a little and make more room in the field for other sounds. Things to try panning with include pads, aux perc, and various sfx. Favoring a left or right side can also lead to issues but you can always find ways to balance the mix. Just takes some playing with :)

I've been advised to keep bass frequencies mono or in the middle. That includes the kick drum. I like to put a small bias on the ghost snare but the bulk of the snare layers stick to the middle. Then use them to sidechain sub bass frequencies.

Again, you did an awesome job. I only came back around because you asked. I'm always willing to clarify stuff :)

djhoohaa responds:

Thanks :) i thought i did a really good job on the mix lol. what aspect of it should i look into? or just a bit of tweaking over all?

Edit: Thanks, i really appreciate your time and reply
Nice, loads of ideas here. i am pretty lazy with panning but mainly due to when ever i have tried it, i dont get the results i want lol however i do try seperate the hi hats a bit. ive never thought about just panning certain frequencies of a sound before. that sounds fun to experiment with. ,Also just had to google what a waterphone is, i kinda want one now.

Just wanted to say I loved this. Great atmosphere and textures. I'm a little confused by the prolonged silence at the end, clip that a little before the judges come around! Looks like there is more space in the mix for extra tones and textures but even with all that extra space the track really holds down strong. Good stuff Wolfgang :D

RosesWolf responds:

Genuinely wish I could fix that silence, but I’m out of the country atm. As I mentioned in the description, it’s a rendering error; FL Studio sometimes has this weird tendency to just add 30 seconds of nothing on the tail end of a project, and I have no idea why it does that. Unfortunately I was strapped for time, so I won’t be able to fix it until I get home

Cory F. Jaeger @Quarl

Age 36, ♀

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Alfred University

Joined on 5/30/05

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