Quarl's audio Reviews on Newgrounds

[Rig & FoD's Epic Tune]

meh

You damn kids and your rock music. In my day, we had dirt and we liked it >:C

Rig responds:

Dirt tastes good with rocks.

[cry goat]

mew

haha, nice song. If your a fan of piano at all I'd recommend looking into some chopin. He's my favorite romantic era composer.

http://www.youtube.com/watch?v=a0kr_V cKESk

there might be a space you have to get rid of there to get the link working. Things get insane after the two minute mark.

Now about YOUR song. Great melodies and rhythms! I love them all. The drums can have a wider sound but I might recommend reading through this thread for that...

http://www.newgrounds.com/bbs/topic/1 137269

It's looking like it might end in a dumb flame war but xkore linked to some good drums. I also typed up a little ditty about layering. Those two posts alone will be well worth your time. Peace sir and keep on keeping on!

[Rig - 3 hour DnB]

pur

haha, sick stuff. For three hours this is huge. Also, I love the kitten. Nice element.

Rig responds:

MY CAT KEPT MEOWING DURING MY COMPOSITION AND SO I RECORDED HIM

[SR - Your Hand]

merp

The only thing this track is missing is Jeremy Enigk. Find that guy and you have it made.

SineRider responds:

that would be amaaaazzing. He has one of the best voices I've ever heard...

[SN | No Purpose Flour | SN]

dahkdakhdahkdakadh

haha, awesome background intangibles. Your selection of sounds and rhythmic choices are well thought out. There might be a bit too much reverb on something which is muddying things up but for the most part everything sounds pretty tight. I think the verb is on one of the pads or a hi hat. I notice that a lot of pros turn the hi hats down in the mix. They're really important in idm to help distinguish a rhythm but sometimes the remainder of the rhythm can imply the hi hats existence. Dunno. Try nudging the hats down a bit and let me know if that changes anything for better or worse. This song fucking rocks by the way. I'm in love with everything melodically and rhythmically. Fucking ace.

SessileNomad responds:

hey thanks man, yeah i tend to go a little to crazy reverb, its probably the pad thats fucken stuff up

im glad you liked this one, glad at least other IDM artists like it

thanks for reviewin man :)

[Rapidash SpeedTech]

lol. rapidash?

When this song evolved from ponyta was it originally 200 bpm? Lame joke aside, cool song. I love this kind of trance. It takes me back to when I first started listening to electronic music. Most of it came from newgrounds. Let me get you aquanted with one of my favorite guys here on ng...

http://www.newgrounds.com/audio/liste n/296234

There might be a space in that link you have to remove. Rawrthaas has a swell library of different electronic sounds. You'd probably like his work.

Now to try and be helpful. I'm not sure what program your using so I can't be too in depth in terms of how to do this but I'd recommend fattening up that drum kit and giving it more emphasis in the mix. You can make drums sound wider by layering different drum pieces. Find a few snares that each hit different areas of the sound spectrum. Get some mids, some highs and some lows all in one sweep and balance them. Layering can take a while to get a hold of so play around with it. One thing that can help when your layering sounds is to pan things up a bit. Panning gives the illusion that things are louder than they actually are, so when you pan you can turn the levels down on everything a little to give you more room to boost what you want.

One thing I really love about this song is how it loops. The melody the song starts with is something I'd expect to hear in a second measure in response to an initial melody. When the track looped it was almost as if the end was just a slight rest to create and resolve tension. The tempo stayed in time too. Funny mistake :P

All said, great song mister! Keep at it and you'll be great.

KillForChaos responds:

Thanks, that was the best review I have ever received.
I use FL studio as my main DAW and a few others occasionally.
I checked out the song you sent its really cool : )
I will try out the advice you gave thanks : )

P.s. yes it was 200bpm when it was ponyta

[That's How [preview]]

mdamaaaasss

ha, I hope you finish this one. That piano melody is fucking tight in there. The vox sound a little weird at times but that's really the only thing I have any sort of problem with. After hearing the song a few times, the vox work better and better. Really, I want to hear this one through sir! mraw!

Rawrthaas responds:

yeah i think around 00:08 it sounded off but i fixed it in the full version :D

[White X-Mass]

abababababa

haha, it's nice to hear you play with more electronic sounds. Those bass lines were pretty funky. Those flutes worked well with the environment. If there was anything I'd tell you to do differently it's to layer that kick drum at the beginning with another kick that has more mid to high range. I tested the song on my lap tops speakers and the kick wasn't audible until the jungle section. Nice fake guitar solo. Even for a fake guitar, it sounds really damn good. The vocals are perfect :)

I just realized that this was submitted last year. Play with dnb again! It's always a lot of fun to hear people work outside of their comfort zone with genres they don't normally play with.

sorohanro responds:

Voices mstly by Citrina http://citrina.newgrounds.com/
I'll probably play more with the electronix but for now I'm in a Rock period (two projects running).

Thanx for review, greatly appreciated.
Happy Holidays !

[Gatekeeper of the Necropo]

First!

Really creeptastic chords and melodies. Seems to suite the seasons weather with how damn cold and eerie this sounds. I'm loving that chorus. Everything sounds really full. The only little thing that I can think of doing is to have the attack on that chorus set slightly lower so it crescendos a bit like a real chorus. It's a dumb little thing, but since everything sounds so perfect I have only dumb little things to nit pick about. Another thing I like to try out sometimes is setting up two chorus pads then having the attack of one slightly off from the other one. Sometimes I'll layer several chorus pads over and over then de-quantize. Dunno. It really doesn't matter. The only reason I've gotten so finicky about chorus pad attacks is because my music major friend at berklee is always telling me that he hates the sound of synthetic chorus's. My ultimate goal with voice pads is to make jack cry with joy. Really though, this song is amazing.

S3C responds:

thanks for the review man! this is actually the third track you've commented on about mah choirs ;D. good advice about the attacks, but my attentions with this one were to make the choirs be a synthetic organ/keyboard sound, hence the instant attacks. I suppose during the second half it would sound better to adjust the attack levels so it meshes with the strings more nicely. But anyways, thanks for the review bud! helpful advice, and by jack you wouldnt happen to be speaking of candlejack because you know that's it's very dangero

[=Trampling Onwards=]

haha, reminds me of frank zappa on metal.

I loved the idea of the one riff thing. Electronic composers do it all the time though... it's actually kind of become a staple of the popular electronic genres. Find one cheesy melody, let it fly for a while, then do a break down and do it again. The drums in this song make that one riff work really well though. You really went all out with finding those syncopations while keeping the flow of the rhythm going. The composition was really cool. Great C:

Hades responds:

Yeah, I guess that it is a rather frequently appearing aspect of certain genres, which definitely isn't a good thing, but I can't really say I related it to those genres until now. :P Anyways, I'm glad you liked the drums enough to live through the single riff thing and thanks a lot for returning the favor of reviewing! ;D