Score: 10

"rawr"

submission: [TheDimension4] Wooden Town

date: November 16, 2009

I'm actually not a fan of impressionism. I'm thankful for what it did to the art world in the long run. I'm just not a fan of the style. This is a cool piece you have here. I've just been getting into romantic composers so this is really the kind of sound I'm craving at the moment. There's really nothing I can say that could be even remotely helpful... curious though, what did you use to compose this? The dynamics gives off the impression that you played this but the sound quality gives off the impression that you're probably using a daw and midi controller?

Score: 10

"mraw"

submission: -( Purple Walking Buildings )-

date: November 16, 2009

Definitely a cool song sir. Given that you called it "experimental ambient" I can't really say that there's anything this song needs or doesn't need. There are a few things I would have done differently but those are subjective opinions that don't really help you out. Since your pointing out that bit about the bpm, I honestly would have gone a little slower. I might even have automated some tempo shifts to achieve some rubato. Other than that, this track is nice and chill. Beautiful :)

Score: 10

"meow"

submission: In Another Dream -KN

date: November 14, 2009

A lot of the elements in this track are really well practiced and the elements come together really well. There's just one thing that kind of gets me and it would be the snare. This song would sound perfect with a punchier snare sound. Try these: up the snare you already have in the mix, try out an ounce of distortion, layer it with some more snare sounds... experiment with it. Everything else in this song is really nice. It's just the lack of a powerful snare that takes away from the rest of the mix. Other than that, awesome song!

Score: 10

"saucy"

submission: Awake - Field of Dreams

date: November 13, 2009

haha, "sauce beat." I'm floored... we'll... as floored as you can be without a four to the floor. Lame production joke aside, this isn't my typical kind of genre but even I gotta admit that it sounds perfect. The melodies are perfect, the mix is perfect, everything is perfect. Fuck yes.

Score: 10

"nice!"

submission: Violin_Liberation [Box-Killa]

date: November 13, 2009

Hey hey, really cool song. Just a few things I would have done differently if I found myself doing a classical song starting with the dynamics. Real instruments change their dynamics over time expressively. Dynamics is just a fancy word for amplification over time. There were a few crechendos in here, so I know you what's good. Just playing with the note velocities would create a good amount of terraced dynamics, but I find that it's more effective to automate shifts in dynamics instead. Of course you could go on to say that a song about a tyrant works better with terraced dynamics to give off a sort of marching dictation to it but I find that rhythm has a better effect than dynamics at expressing that kind of vibe. You're probably familiar with Nobuo Uematsu's One Winged Angel theme but go look that track up and really listen to how the instruments effectively change their amplifications over time to create tension. Sometimes the composer even uses syncopations that really create tension. Such a good fucking song.

Panning: I have trouble telling where there's panning if it's not really obvious, so I'm sorry if you did have some panning in there, but perhaps more pronounced stereo imaging would have been effective. Stereo imaging emulates live acoustics so it can help eliminate the digital burden of a mono mix. It also creates the illusion that things are louder than they actually are so you can turn the levels down on everything and have a cleaner mix in general.

Harpsichord: I'm really anal about that instrument. There wasn't anything wrong with using it. I'm just not a fan... you also used it in conjunction with a piano. Nothing wrong with that either. Like I said, I'm just really anal about it and in a typical classical piece, the two instruments would not have been heard together. This review could have gone without this harpsichord tirade :P

All in all, this song will work great in a flash and it's really cool man! The melodies are all really interesting and the harmonies work well together. Keep at classical composition, you definitely got some skill here :)

Score: 10

"fuck yeah!!"

submission: Rig - VOT FIVE

date: November 2, 2009

I can't even begin to dissect this one jp. FUCKING PERFECTION.

Score: 9

"sdisgrisgrgsjrgsogsojgsogso"

submission: Ode to Madness

date: October 15, 2009

Cool song. I don't normally give this genre a listen so I don't know how to be helpful, but everything sounds cool from my perspective. Really dark and brooding. I heard some digital clipping in there. I'd recommend turning down some of the louder levels in there that are doing that. If your not familiar with the term clipping, it's basically just digital distortion. It's that popping sound you hear when the levels peak. That would probaly be the only negative thing I have to say about this mix. Great melodies and sounds! Peace sir :)

Score: 8

"afmaffamfamfama"

submission: [sdf] moonsurf

date: October 15, 2009

I just gave a few of your other tracks a listen and now I'm not sure what to say. Drums, I'm not sure if your one of those guys that cares about contemporary rhythms, but if you count the rhythm in 4/4, a snare on every 2 and 4 would be nice. A hi-hat would flesh things out pretty nicely too, but after listening to some of your other songs, I'd assume you already knew that... how do you typically produce your drums? The bass/ synths sound pretty nice, and the melodies work out. All in all, good job. Again, kind of confused with the drums but what ever. It's fun to experiment and play. I'm not sure if your a fan of Squarepusher, but check out some of his work. His drums are insane.

Score: 9

"fbbfbsfsff"

submission: Post Dr.Pepper

date: October 15, 2009

Nice mix you got going. Chill melodies, good sounds. The only thing I'm going to complain about is the hi hat rhythm. It's kind of awkward. I like the variety you threw into the rhythm and by the second listen through the rhythm stopped being strange but that's always something to try and keep in mind while producing. I don't know what your writing process is like, but it definitely helps to take a step back from your work for a day or two so you can come back to a project with fresh ears. Sometimes you get really used to how things are in a track and you just let them be. I don't know if I've ever left you a review with this idea, but try throwing some delay on those hi hats and have it sync to the tempo. This will create instant dynamics and with a bit of practice can really flesh out a rhythm.

All in all, cool track sir!! Peace.

Score: 10

"ar!"

submission: Swirl Field

date: October 8, 2009

Sounds like you got some serious potential going on. I'd tap this. Just a few little things that might help though, up the drums a bit or turn down the surrounding instruments. In a dnb track, the drums are defiantly the most important piece of the mix. The rhythms are really cool, funky variations and syncopations. I love the metal gear solid samps ^_^

Great song sir! Keep at it!